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Super 16 mm
16 mm film is a historically popular and economical gauge of film. 16 mm refers to the width of the film (about inch); other common film gauges include 8 and 35 mm. It is generally used for non-theatrical (e.g., industrial, educational, televisual) film-making, or for low-budget motion pictures. It also existed as a popular amateur or home movie-making format for several decades, alongside 8 mm film and later Super 8 film. Eastman Kodak released the first 16 mm "outfit" in 1923, consisting of a camera, projector, tripod, screen and splicer, for US$335 (). RCA-Victor introduced a 16 mm sound movie projector in 1932, and developed an optical sound-on-film 16 mm camera, released in 1935. History Eastman Kodak introduced 16 mm film in 1923, as a less expensive alternative to 35 mm film for amateurs. The same year the Victor Animatograph Corporation started producing their own 16 mm cameras and projectors. During the 1920s, the fo ...
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Shooting Ratio
The shooting ratio or "Bertolo code" in filmmaking and television production is the ratio between the total duration of its footage created for possible use in a project and that which appears in its final cut. A film with a shooting ratio of 2:1 would have shot twice the amount of footage than was used in the film. In real terms this means that 120 minutes of footage would have been shot to produce a film of 60 minutes in length. While shooting ratios can vary greatly between productions, a typical shooting ratio for a production using film stock will be between 6:1 and 10:1, whereas a similar production using video is likely to be much higher. This is a direct result of the significant difference in price between video tape stock and film stock and the necessary processing. Although the decisions, styles and preferences of the filmmakers can affect the shooting ratio of a project greatly, the nature of the production (genre, form, single camera, multi-camera, etc.) greatly affec ...
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Chronicle (UK TV Programme)
''Chronicle'' is a British television programme that was shown monthly and then fortnightly on BBC Two from 18 June 1966 until its last broadcast on 29 May 1991. ''Chronicle'' focused on popular archaeology and related subjects, and was considered an influential programme and a landmark in early television presentation of archaeology. The programme was commissioned by David Attenborough in 1966, and was produced by the Archaeological and Historical Unit headed by Paul Johnstone and later edited by Bruce Norman. Among the presenters of the programme were Magnus Magnusson, Colin Renfrew, David Drew, and John Julius Norwich. Background BBC first broadcast a regular archaeology programme on radio introduced by Glyn Daniel in 1946 titled ''The Archaeologist''. This was followed by a popular television quiz show ''Animal, Vegetable, Mineral?'' from 1952, and ''Buried Treasure (British TV programme), Buried Treasure'' broadcast from 1954 to 1959. In 1966, the first controller of BBC T ...
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Panorama (TV Programme)
''Panorama'' is a British BBC Television current affairs documentary programme. First broadcast in 1953, it is the world's longest-running television news magazine programme. ''Panorama'' has been presented by many well-known BBC presenters, including Richard Dimbleby, Robin Day, David Dimbleby and Jeremy Vine. it broadcasts in peak time on BBC One, without a regular presenter. The programme also airs worldwide through BBC World News in many countries. History ''Panorama'' was launched on 11 November 1953 by the BBC; it emphasises investigative journalism. ''Daily Mail'' reporter Pat Murphy was the original presenter, who only lasted one episode after accidentally broadcasting a technical mishap. Max Robertson then took over for a year. The programme originally had a magazine format and included arts features. Richard Dimbleby took over in 1955 and presented the show until his death in 1965. His son, David Dimbleby, later presented the programme from 11 November 1974—the ...
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Man Alive (UK TV Series)
''Man Alive'' is a documentary and current affairs series which ran on BBC2 between 1965 and 1981. During that time there were nearly 500 programmes tackling a range of social and political issues, both in the UK and abroad. The series was commissioned by David Attenborough, while he was Controller of BBC2 between 1965 and 1969. British television journalist and presenter Esther Rantzen worked on ''Man Alive'' in the mid-1960s. One of the programme's reporters and series editor was Desmond Wilcox, whom Rantzen later married. Wilcox contributed directly to about 50 ''Man Alive'' programmes. The ''Man Alive'' theme music was composed and played by Tony Hatch and his orchestra. History The first ''Man Alive'' programme, "The Heart Man", was broadcast on 4 November 1965. It focused on heart surgeon Michael Ellis DeBakey at The Methodist Hospital in Houston, Texas. There were a further eight programmes that year, at this stage Wilcox was also the programme's executive producer. ...
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Super 8 mm Film
Super 8 mm film is a motion-picture film format released in 1965 by Eastman Kodak as an improvement over the older "Double" or "Regular" 8 mm home movie format. The film is nominally 8 mm wide, the same as older formatted 8 mm film, but the dimensions of the rectangular perforations along one edge are smaller, which allows for a greater exposed area. The Super 8 standard also allocates the border opposite the perforations for an oxide stripe upon which sound can be magnetically recorded. Unlike Super 35 (which is generally compatible with standard 35 mm equipment), the film stock used for Super 8 is not compatible with standard 8 mm film cameras. There are several varieties of the film system used for shooting, but the final film in each case has the same dimensions. The most popular system by far was the Kodak system. Super 8 System Launched in 1965 by Eastman Kodak at the 1964–65 Worlds Fair, Super 8 film comes i ...
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Television Studio
A television studio, also called a television production studio, is an installation room in which video productions take place, either for the production of live television and its recording onto video tape or other media such as SSDs, or for the acquisition of raw footage for post-production. The design of a studio is similar to, and derived from, movie studios, with a few amendments for the special requirements of television production. A professional television studio generally has several rooms, which are kept separate for noise and practicality reasons. These rooms are connected via 'talkback' or an intercom, and personnel will be divided among these workplaces. Studio floor The studio floor is the actual stage on which the actions that will be recorded and viewed take place. A typical studio floor has the following characteristics and installations: * decoration and/or sets * professional video camera (sometimes one, usually several), typically mounted on pedestals * mic ...
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Television Program
Television, sometimes shortened to TV, is a telecommunication medium for transmitting moving images and sound. The term can refer to a television set, or the medium of television transmission. Television is a mass medium for advertising, entertainment, news, and sports. Television became available in crude experimental forms in the late 1920s, but only after several years of further development was the new technology marketed to consumers. After World War II, an improved form of black-and-white television broadcasting became popular in the United Kingdom and the United States, and television sets became commonplace in homes, businesses, and institutions. During the 1950s, television was the primary medium for influencing public opinion.Diggs-Brown, Barbara (2011''Strategic Public Relations: Audience Focused Practice''p. 48 In the mid-1960s, color broadcasting was introduced in the U.S. and most other developed countries. The availability of various types of archival storag ...
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Television Production
A television show – or simply TV show – is any content produced for viewing on a television set which can be broadcast via over-the-air, satellite, or cable, excluding breaking news, advertisements, or trailers that are typically placed between shows. Television shows are most often scheduled for broadcast well ahead of time and appear on electronic guides or other TV listings, but streaming services often make them available for viewing anytime. The content in a television show can be produced with different methodologies such as taped variety shows emanating from a television studio stage, animation or a variety of film productions ranging from movies to series. Shows not produced on a television studio stage are usually contracted or licensed to be made by appropriate production companies. Television shows can be viewed live (real time), be recorded on home video, a digital video recorder for later viewing, be viewed on demand via a set-top box, or streamed over the i ...
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World War II
World War II or the Second World War, often abbreviated as WWII or WW2, was a world war that lasted from 1939 to 1945. It involved the vast majority of the world's countries—including all of the great powers—forming two opposing military alliances: the Allies and the Axis powers. World War II was a total war that directly involved more than 100 million personnel from more than 30 countries. The major participants in the war threw their entire economic, industrial, and scientific capabilities behind the war effort, blurring the distinction between civilian and military resources. Aircraft played a major role in the conflict, enabling the strategic bombing of population centres and deploying the only two nuclear weapons ever used in war. World War II was by far the deadliest conflict in human history; it resulted in 70 to 85 million fatalities, mostly among civilians. Tens of millions died due to genocides (including the Holocaust), starvation, ma ...
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Sound-on-film
Sound-on-film is a class of sound film processes where the sound accompanying a picture is recorded on photographic film, usually, but not always, the same strip of film carrying the picture. Sound-on-film processes can either record an analog sound track or digital sound track, and may record the signal either optically or magnetically. Earlier technologies were sound-on-disc, meaning the film's soundtrack would be on a separate phonograph record. History Sound on film can be dated back to the early 1880s, when Charles E. Fritts filed a patent claiming the idea. In 1923 a patent was filed by E. E. Ries, for a variable density soundtrack recording, which was submitted to the SMPE (now SMPTE), which used the mercury vapor lamp as a modulating device to create a variable-density soundtrack. Later, Case Laboratories and Lee De Forest attempted to commercialize this process, when they developed an Aeolite glow lamp, which was deployed at Movietone Newsreel at the Roxy Theatre ...
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